IFAR Journal

• Edited Proceedings: September 11th: Art Loss, Damage, and Repercussions—An IFAR Symposium. Introduction
— Sharon Flescher
• September 11th Art Loss: Public Art at the World Trade Center
— Saul S. Wenegrat
• September 11th Art Loss: The World Trade Center Memorial
— Elyn Zimmerman
• September 11th Art Loss: The Artist Residency Program in the Twin Towers
— Moukhtar Kocache
• The UNESCO Convention on the Protection of the Underwater Cultural Heritage
— James A.R. Nafziger
• Lost, Stolen and Destroyed Pictures by Sir Joshua Reynolds
— David Mannings
• Early Netherlandish Paintings or 20th-Century Fakes?- An IFAR Evening
— Maryan W. Ainsworth
• Updates & Newsbriefs: Verdict in New York Antiquities Trial
— Sharon Flescher
• Thirty Years of the Rembrandt Research Project: The Tension Between Science and Connoisseurship in Authenticating Art
— Ernst van de Wetering
• U. S. Museums to Provide Expanded Information About Objects Transferred in Europe During the Nazi Era
— Stephen E. Weil
• Updates & Newsbriefs: French Court Finds Art Dealer Guilty of Handling War Loot
— Sharon Flescher
• Updates & Newsbriefs: He Stole His Own Paintings: Now He Has 3 Years to Think About It
— Sharon Flescher
• De Chirico Forgeries: The Treachery of the Surrealists
— William H. Robinson
• The FBI's Role in Art Fraud and Theft: An IFAR Evening
— Lynn Chaffinch, Catherine Begley, W. Thomas Cassano, Neil Cronin
• A Puzzle Resolved: Duke's Portrait Identified
— Gertrude Wilmers
• The Laches Defense in Art Theft Litigation
— Jeremy G. Epstein
Volume 3, No. 2
Spring 2000
• Copying Chinese Paintings: Flattery or Forgery
— H. Christopher Luce
• Calder’s Artistic Development and Authenticity- an IFAR Evening with Sandy Rower
— Sharon Flescher
• A Legal Decision in New York Gives Experts Protection
— Ronald Spencer
• A Copyright Primer for the Protection and Use of Fine Art Images
— Barbara Hoffman